![]() But she had the last laugh when Radio Pictures – later to be named RKO – cast her in the musical "Rio Rita" (1929), which proved to be the studios biggest hit up to that point. After the lost "Senorita" (1927), "Take Me Home" (1928) and "The Fifty-Fifty Girl" (1928), Daniels made her last silent film, "What a Night!" (1928), and was unceremoniously dropped from her contract by Paramount with the advent of sound. She went on to play the Rudolph Valentino role in "She's a Sheik" (1927), playing a Spanish-Arab woman determined to marry a Christian man. ![]() In a variation of George Barr McCutcheon’s oft-adapted novel, Daniels starred in "Miss Brewster’s Millions" (1926), where she played a movie extra trying to spend a million dollars in order to inherit five million. Daniels next played a bored society woman who becomes a private detective in "Wild, Wild Susan" (1925) and a New York salesgirl stuck in Paris after a job falls through in the aptly titled "Stranded in Paris" (1926), which was made from a script by Herman J. ![]() Daniels also starred as a French princess to Rudolph Valentino’s Duke of Chartes in Sidney Olcott’s "Monsieur Beaucaire" (1924), and went on to star in a number of popular films like "The Manicure Girl" (1925), "Miss Bluebeard" (1925) and "The Campus Flirt" (1926), where she effectively played a teenage girl despite being in her mid-twenties. Daniels stayed at Paramount through the 1920s and starred in nearly 50 films, many with such classic Jazz Age titles as "The Speed Girl" (1921), which was based on her own brush with the traffic laws, "Singed Wings" (1922), "Daring Youth" (1924) and "Sinners in Heaven" (1924). From there, she starred in a number of high-profile, sophisticated films like "Everywoman" (1919), "Why Change Your Wife?" (1920) and "Affairs of Anatol" (1921). Because Lloyd was nicknamed "The Boy," Daniels was naturally called "The Girl," though by 1919 she split with the comedian in order to concentrate on dramatic roles.ĭaniels skyrocketed to stardom after signing with Paramount Pictures to star in "Male and Female" (1919), directed by Cecil B. Though she was only 14 years old at the time, Daniels embarked on an affair with Lloyd while starring in such two-reel comedies as "Bughouse Bellhops" (1915), "Lonesome Luke Leans to the Literary" (1916), "Luke’s Speedy Club Life" (1916) and "We Never Sleep" (1917). In 1915, she was hired by famed silent comedian Harold Lloyd to star opposite him in his Lonesome Luke series, starting with "Give Them Fits" (1915). ![]() Frank Baum’s 1900 novel of the same name. Daniels next played Dorothy Gale in the silent short "The Wonderful World of Oz" (1910), which was the oldest surviving film adaptation of L. After the family moved to Los Angeles, she began her acting career at four years old with an appearance in "The Squaw Man" (1906) and had her first starring role in "A Common Enemy" (1908). 14, 1901 in Dallas, TX, Daniels was raised by her theater manager father and stage actress mother. Though not well-remembered by modern audiences, Daniels undoubtedly left an indelible mark during her time in Hollywood.īorn on Jan. She left Hollywood for London in 1935, where she and her husband, actor Ben Lyon, had successful careers on stage and screen, while becoming national heroes for entertaining audiences during The Blitz of World War II. But she made a number of hits after making the transition, starring or co-starring in "Rio Rita" (1929), "Reaching for the Moon" (1931), "The Maltese Falcon" (1931), "Counsellor at Law" (1933) and the classic musical "42nd Street" (1933). Following hits like "Miss Brewster’s Millions" (1926) and "She’s a Sheik" (1927), Daniels was dropped by Paramount at the beginning of the sound era. She made a number of popular hits during the decade including "Why Change Your Wife?" (1920), "Affairs of Anatol" (1921), "Daring Youth" (1924) and "Monsieur Beaucaire" (1924), starring Rudolph Valentino. She later worked with star and lover Harold Lloyd on his Lonesome Luke series in the late-teens, before becoming a star at Paramount Pictures during the 1920s. Daniels made her film debut at just four years old and was a star by the time she played Dorothy Gale in "The Wonderful Wizard of Oz" (1910), the earliest surviving adaptation of L. A child star during the silent era who blossomed into a mature comedic and dramatic performer, Bebe Daniels made the rare smooth transition into talkies, only to retire from Hollywood in the mid-1930s while still in her prime.
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